At the beginning of the 21st century, more than half of the human race died and civilization retreated due to the global flood called " Tempest ". Around that time, the existence of "vampires" was confirmed along with humans. However, not everyone can become a vampire, and those who inherit the blood of Faust, the progenitor of vampires, do not become vampires, and some even become beasts and die. Good vampires are given new names, and the rest are collectively called "rezas." On the other hand, the vampires begin their journey in search of why they were born, in search of the meaning behind it, and in search of the "mother" who is called the vampire's hope.

An unmarried woman, born illegitimate, is convinced to contest her late mother's will.

In a tranquil village, the two students Kerstin and Selina disappear one after the other. Both are 16, have unstable parents and were undergoing therapy at the “Herzland” riding stable. While the residents don't believe there was a crime, Julia Durant suspects the kidnapper is among them.

Chief Detective Julia Durant uses unusual methods to solve the gruesome murder of three teenage women. All were female, young and blonde and were found dismembered after performing ritual practices. Even before Julia manages to delve into the murderer's mind, another victim is found dead...

Anna Ronquillo (29), a French-Moroccan émigré, is caught working illegally in a Cape Town restaurant. She has 48 hours to find a husband to avoid having to leave the country.

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Wanda Pratt works tirelessly to raise three children, including future NBA basketball player Kevin Durant.

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This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.